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— by Mark L. Johnson
Recently glancing over some of the various North American manga titles in
my box today, I saw many genres covered. We have
INU-YASHA
and RANMA from
the Takahashi front,
TENCHI
and OH! MY GODDESS handling cute girls and
comedy (in different ways),
EVANGELION doing a new twist on the big robot
idea, MIXXZINE
covering shoujo, PATLABOR
doing politics and character
interaction, and so on. It would be impossible to really lump the many
titles together into one cliche, but when I first saw THE TWO FACES OF
TOMORROW I thought it stood out as somehow different.
THE TWO
FACES OF TOMORROW is the latest release from
Dark Horse's import
pipeline as Yukinobu Hoshino's comic interpretation of the 1979
science-fiction novel by James P. Hogan. This was originally published in
Japan in 1993, and is currently being released as a 13-part series.
First
off, the cover itself did not star any major character, but
instead showed a background of a futuristic city under attack. Perhaps a
sign of things to come, but inside this issue was portrayed a world
government at peace and busy growing out into space.
The
first panels go into detail on the science of a mass-driver, a linear
accelerator that would quickly send moon ore out into orbit to be relayed
for construction projects. Much of this issue spends time in explaining
devices such as these and making this world a believable futuristic
setting.
The
main character is Dr. Raymond Dyer, a brilliant designer of a
self-programming adapting system which revolutionized the world. He and his
team are an interesting mix of professionals of different personalities.
Also along for the ride is Laura Fenning, a noisy and annoying reporter who
asks for explanations about everything (and thus helps the reader
understand the world). The characters are drawn plainly, and not in an
obviously "anime" style.
Storywise,
this issue deals with introducing the world and this computer
system. TITAN, as it is called, learns to do the various organizational
tasks assigned to it more efficiently over time, but is not capable of
ambitious thought, as it is limited. However, when "errors in judgement"
occur that endanger people's lives, worries appear that the more advanced
systems to come may have devastating effects.
Thus
the overall plot of this series will center around an experiment in a
confined (but huge) space station to determine what a less-restricted
system would do. Will it prove to be dangerous to humankind in its
inablitiy to make moral choices and prove to be uncontrollable, or will it
evolve into a tool to help man reach its full potential? These are the "Two
Faces of Tomorrow".
The
drawing style is simple but clear, especially when detailing
technology. It is easy to follow the action and conversations between
characters, and the art gives a good feeling of proportion of size. The
characters are not much to look at, but are distinct enough to be easily
recognized. This is certainly an example of art simply telling a story,
rather than of art for admiring.
The
panels in this issue concentrate on setting a scene over character
development and action. There is little humor other than standard human
interaction, and no roaring lasers or flying fists.
Overall,
I enjoyed this prologue to the series, and plan to
continue following it. I have not had a chance to read a good
science-fiction story for a while, and felt THE TWO FACES OF TOMORROW kept my
interest in seeing where the experiment leads.
As a
true science-fiction story in the vein of 2001: A SPACE ODYSSEY,
THE TWO FACES OF TOMORROW is a departure from the standard manga import
from Japan. The drawing style is simple but serious, the story delves into
realistic possible future issues, and the scale is epic but believable.
THE TWO FACES OF TOMORROW may disappoint anyone expecting a "standard"
manga (whatever that may be), but traditional science-fiction lovers should
definitely take a look at this tale.
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THE TWO FACES OF TOMORROW
32 pages / Volume 1 of 13
Art and Adaptation by Yukinobu Hoshino
Original Novel by James P. Hogan
Released in North America by Dark Horse Comics
Produced by Studio Proteus
English Translation by Frederik L. Schodt and Toren Smith
$US 2.95 / $Can 3.95
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